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	<title>j. henry chunko</title>
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	<description>writing, sounds, digital ephemera</description>
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		<title>j. henry chunko</title>
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		<item>
		<title>poesia concreta</title>
		<link>http://jhenrychunko.wordpress.com/2007/02/02/poesia-concreta/</link>
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		<pubDate>Fri, 02 Feb 2007 02:54:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[concrerte poetry]]></category>

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		<description><![CDATA[: : via spidertangle : : 50 ANIVERSARIO DE LA POESIA CONCRETA<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=21&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div style="text-align:center;"><span style="font-family:Arial;"><strong><span style="color:rgb(255, 0, 0);"><span style="color:rgb(255, 0, 0);font-weight:bold;font-family:Arial;"><br />: : via spidertangle : :</span></span></strong></span></div>
<p><a href="http://bp1.blogger.com/_lOQBYMTV01s/RcKoOQcoLmI/AAAAAAAAAFI/Waw8N8-MT4Y/s1600-h/poesiaconcreta.gif"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://bp1.blogger.com/_lOQBYMTV01s/RcKoOQcoLmI/AAAAAAAAAFI/Waw8N8-MT4Y/s400/poesiaconcreta.gif" alt="" border="0" /></a>
<div align="center"><span style="font-family:Arial;"><strong><span style="color:rgb(255, 0, 0);"><span style="color:rgb(255, 0, 0);font-weight:bold;font-family:Arial;">50 ANIVERSARIO DE LA POESIA CONCRETA</p>
<p></span><!-- D(["mb","</span></strong><span>      </span></div>
<div><span>                                                                 </span><br /><span>Disfrute de este espacio en la website BOEK861 de César Reglero, dedicado al homenaje de los 50 años de la Poesía Concreta.</span></div>
<div><span> </span></div>
<div><span><strong><span>50 ANNIVERSARY OF CONCRETE POETRY</span></strong></span><span></span></div>
<div><span> </span></div>
<div><span>Enjoy this space in Cesar Reglero´s website BOEK861, dedicated to Homage 50 Years of Concrete Poetry.</span></div>
<div><span> </span></div>
<div><span><strong><span>PARTICIPANTES &#8211; PARTICIPANTS</span></strong></span><span> </span><br /><span> </span><br /><span>Giovanni Fontana, Adam Fong, Adolf, Agustín Calvo Galán, Alejandro Thornton, Alkak Luiz dos Santos y Gilbertto Prado, Ana Glafira, Anamaría Briede, Angela Ibáñez, Antonella Prota Giurleo,  Antoni Albalat, Antonio Cáres, Antonio Monterroso, Antonio Orihuela, Baldo Ramos, Beatriz San Millán, Birger Jesch, Brian Whitener, Carol Starr, Caterina Davinio, Cecil Touchon, Cesar Reglero, Christian Hasucha, Cirus Console, Claudia del Rio, Claudio Grandinetti, Clemente Padín, Constança Lucas, Costis, Dan Buck, David Daniels, Demosthene Agrafiotis, Denis Charmot, Emerenciano, Eugenia Serafini, Fausto Grossi, Feliciano Mira, Francesc Xavier Forés, Franco Focardi, Franklin Valverde, G. J. de Rook, Geof Huth, Gerardo Podhajny, Graciela Gutiérrez Marx, Gregory Vincent St Thomasino, Gunther Ruch, Gustavo Fernández Alonso, Gustavo Vega, Henning Mittendorf, Irving Weiss, Isabel Jover, Ivan Etienne, J. M. Calleja, Jeanete EKohler, Joaquim Branco, John Bennett, Jorge Ismael Rodríguez, José Blanco, Josep Sou, Julien Blaine, Jurgen &#8220;,1] );  //&#8211;></span></strong><span style="font-family:Arial;">      </span></span></div>
<div align="center"><span style="font-family:Arial;"><span style="font-family:Arial;">                                                                 </span></span><span style="font-family:Arial;"> <span style="font-family:Arial;">Disfrute de este espacio en la website BOEK861 de César Reglero, dedicado al homenaje de los 50 años de la Poesía Concreta.</p>
<p></span></span></div>
<div align="center"><span style="font-family:Arial;"><span style="font-family:Arial;"> </span></span></div>
<div align="center"><span style="font-family:Arial;"><span style="color:rgb(255, 0, 0);"><strong><span style="color:rgb(255, 0, 0);font-weight:bold;font-family:Arial;">50 ANNIVERSARY OF CONCRETE POETRY</p>
<p></span></strong></span></span></div>
<p><span style="font-family:Arial;"><span style="font-family:Arial;"> </span></span>
<div style="text-align:center;"><span style="font-family:Arial;"><span style="font-family:Arial;">Enjoy this space in Cesar Reglero´s website BOEK861, </span></span><br /><span style="font-family:Arial;"><span style="font-family:Arial;">dedicated to Homage 50 Years of Concrete Poetry.</p>
<p></span></span></div>
<p><span style="font-family:Arial;"><span style="font-family:Arial;"> </span></span>
<div style="text-align:center;"><span style="font-family:Arial;"><span style="color:rgb(255, 0, 0);"><strong></strong></span> <span style="font-family:Arial;"> </span> <a href="http://boek861.com/"><span style="font-family:Arial;">BOEK861</span></a></span></div>
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		<title>one to sixty second song remix</title>
		<link>http://jhenrychunko.wordpress.com/2007/01/29/one-to-sixty-second-song-remix/</link>
		<comments>http://jhenrychunko.wordpress.com/2007/01/29/one-to-sixty-second-song-remix/#comments</comments>
		<pubDate>Mon, 29 Jan 2007 20:51:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[charles bernstein]]></category>
		<category><![CDATA[ramon llull]]></category>

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		<description><![CDATA[1-60 from bernstein&#8217;s 1-100 for the fmu 60 second remix : : also, i made this once for a long paper about this recording, &#38; (strangely enough) maurice blanchot &#38; screaming. maybe, i&#8217;ll post that too, somewhere, if it gets fixed up. la la la, i&#8217;ve ramon llull on my plate. if anyone has some [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=20&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div style="text-align:center;"><a href="http://bp2.blogger.com/_lOQBYMTV01s/Rb5eUbfdKrI/AAAAAAAAAE8/uhuPYO0WxJg/s1600-h/1-60.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://bp2.blogger.com/_lOQBYMTV01s/Rb5eUbfdKrI/AAAAAAAAAE8/uhuPYO0WxJg/s400/1-60.jpg" alt="" border="0" /></a><br /><a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_40136892">1-60</a> from bernstein&#8217;s <a href="http://ubu.wfmu.org/sound/bernstein_charles/Bernstein-Charles_1-100.mp3">1-100</a></div>
<div style="text-align:center;">for the <a href="http://www.wfmu.org/">fmu</a> <a href="http://blog.wfmu.org/freeform/2007/01/the_sixty_secon.html">60 second remix</a></div>
<div style="text-align:center;">: :</div>
<p>also, i made <a href="http://www.princeton.edu/%7Edssnelso/1-100.htm">this</a> once for a long paper about this recording, &amp; (strangely enough) maurice blanchot &amp; screaming. maybe, i&#8217;ll post that too, somewhere, if it gets fixed up.</p>
<p>la la la, i&#8217;ve ramon llull on my plate. if anyone has some juicy info on the catalonian theologian cum oulipian anticipatory plagiarist, (from Latin plagiarius ‘kidnapper’) please, do share.</p>
<p>till then,</p>
<p>xoxo<br />j.h c</p>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">jhenrychunko</media:title>
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		<title>reinforced rule the circular movement the lathe</title>
		<link>http://jhenrychunko.wordpress.com/2007/01/22/reinforced-rule-the-circular-movement-the-lathe/</link>
		<comments>http://jhenrychunko.wordpress.com/2007/01/22/reinforced-rule-the-circular-movement-the-lathe/#comments</comments>
		<pubDate>Mon, 22 Jan 2007 00:27:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[airwaves]]></category>
		<category><![CDATA[harpo marx]]></category>
		<category><![CDATA[leandro katz]]></category>
		<category><![CDATA[violeta parra]]></category>

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		<description><![CDATA[today. violeta parra &#38; leandro katz &#8212; ANIMAL HOURS much like wonderful wonderful eeeeee&#8230;<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=19&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div style="text-align:center;">
<p>today<a href="http://www.ubu.com/sound/airwaves.html">.</a></p>
<div style="text-align:center;"><a href="http://bp0.blogger.com/_lOQBYMTV01s/RbQL9BLevbI/AAAAAAAAAEw/kTBiOUhMjro/s1600-h/violeta.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://bp0.blogger.com/_lOQBYMTV01s/RbQL9BLevbI/AAAAAAAAAEw/kTBiOUhMjro/s320/violeta.jpg" alt="" border="0" /></a><a href="http://discosvioleta.blogspot.com/">violeta parra</a></div>
<p>&amp;</p>
<p><a href="http://ubu.wfmu.org/sound/airwaves/Airwaves_11_KATZ_ANIMAL-HOURS.mp3">leandro katz &#8212; ANIMAL HOURS</a></p>
<p>much like</p>
<p><a href="http://www.harpomarx.net/">wonderful</a></p>
<p><a href="http://www.youtube.com/watch?v=boIpFYNYZ5c">wonderful</a></p>
<p><a href="http://www.youtube.com/watch?v=4HbhGN2_0xk">eeeeee&#8230;</a></div>
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		<slash:comments>3</slash:comments>
	
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		<title>visit JonHs.net</title>
		<link>http://jhenrychunko.wordpress.com/2007/01/18/visit-jonhsnet/</link>
		<comments>http://jhenrychunko.wordpress.com/2007/01/18/visit-jonhsnet/#comments</comments>
		<pubDate>Thu, 18 Jan 2007 20:30:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[benjamin]]></category>
		<category><![CDATA[Buster Keaton]]></category>
		<category><![CDATA[leadbelly]]></category>
		<category><![CDATA[p. adams sitney]]></category>

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		<description><![CDATA[The Goat (1921) 23 min &#8220;Buster is inadvertently identified as the notorious outlaw Dead Shot Dan. He is pursued throughout the city by the local police chief, using disguises and quick-thinking to elude the lawman. He encounters Virginia, a young lady friend, and goes to her home to visit and hide out, only to discover [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=18&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.jonhs.net/freemovies/">The Goat</a> (1921) 23 min</p>
<p>&#8220;Buster is inadvertently identified as the notorious outlaw Dead Shot Dan. He is pursued throughout the city by the local police chief, using disguises and quick-thinking to elude the lawman. He encounters Virginia, a young lady friend, and goes to her home to visit and hide out, only to discover that Virginia&#8217;s father is the police chief.&#8221; -imdb.com</p>
<p>oh, &amp;while yr at it: <a href="http://mr-lucky.blogspot.com/2007/01/alloy-orchestra-general-2003.html">the general</a> via cineville</p>
<p>further &amp;unrelated, <a href="http://www.o-r-g.com">www.o-r-g.com</a> : : delicious cyber fennel via Z.<a href="http://bp1.blogger.com/_lOQBYMTV01s/Ra_nShLevYI/AAAAAAAAAEM/iPKjuhKxP3o/s1600-h/benfranklin.jpg"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp1.blogger.com/_lOQBYMTV01s/Ra_nShLevYI/AAAAAAAAAEM/iPKjuhKxP3o/s320/benfranklin.jpg" border="0" /></a>such a day. i&#8217;m writing from the recently lifted prosthetic typing appendage to my poor invalid mac. my external hard drive is clicking away furiously as i lovingly transfer too many mp3 files, repair, disrepair, repair.</p>
<p>today, a day: in my ventures to capture a keyboard, i happened in on a charming p. adams sitney, magically whiling time away in his cubby. in a strange sad state, i overcame my fear of the man to ask my burning blanchot questions (see: every station hill blanchot release, a fat p.a.s. thank ye&#8230;). he regaled me with stories of intrigue &amp; violence in the publishing world, reprimanded me for missing the class with susan howe, &amp;eventually offered to read what one hopes will be a thesis on zines.  </p>
<p>after a couple delightful hours hoppin from isou to hejinian to &#8220;his high school girlfriend&#8221; kathy acker, i was happy&amp;eager to hop back in my saddle&#8211;i swapped the before me, popped on <a href="http://eldiablotuntun.blogspot.com/2006/12/leadbelly-easy-rider.html">leadbelly</a>, made another raid of the OUTRAGEOUSLY WONDERFUL <a href="http://eldiablotuntun.blogspot.com/">el diablo tun tun</a> (not a bad tun tune in sight&#8230;), up to &amp;including the thick fluffy flurry chunks of white falling center stage.</p>
<p>things are looking up.<br />think i&#8217;ll start writing on writing the disaster.</p>
<p>: : </p>
<p>xoxo<br />j.h c</p>
<p>: : </p>
<p>(just click for)<br />3 LEAD-Bellied MPEG-1 Audio Layers:</p>
<p><a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_38386167">easy rider</a> &#8212; <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_38385733">bourgeois blues</a> &#8212; <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_38385731">how long</a></p>
<p><a href="http://eldiablotuntun.blogspot.com/2006/12/leadbelly-easy-rider.html"><a href="http://bp1.blogger.com/_lOQBYMTV01s/Ra_jMhLevWI/AAAAAAAAAD0/JkxB85NGTNg/s1600-h/leadbelly.jpg"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp1.blogger.com/_lOQBYMTV01s/Ra_jMhLevWI/AAAAAAAAAD0/JkxB85NGTNg/s400/leadbelly.jpg" border="0" /></a></a></p>
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		<title>BONDAGE</title>
		<link>http://jhenrychunko.wordpress.com/2007/01/07/bondage/</link>
		<comments>http://jhenrychunko.wordpress.com/2007/01/07/bondage/#comments</comments>
		<pubDate>Sun, 07 Jan 2007 23:14:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[catherine robbe-grillet]]></category>
		<category><![CDATA[constraint]]></category>
		<category><![CDATA[craig dworkin]]></category>
		<category><![CDATA[lora logic]]></category>
		<category><![CDATA[poly styrene]]></category>
		<category><![CDATA[roissy]]></category>
		<category><![CDATA[story of o]]></category>
		<category><![CDATA[the image]]></category>
		<category><![CDATA[the writing of the disaster]]></category>
		<category><![CDATA[x-ray-spex]]></category>

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		<description><![CDATA[To want to write: what an absurdity. Writing is the decay of the will, just as it is the loss of power, and the fall of the regular fall of the beat, the disaster again. Not to write: negligence, carelessness do not suffice; the intensity of a desire beyond sovereignty, perhaps&#8211;a relation of submersion with [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=17&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36335469"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://bp3.blogger.com/_lOQBYMTV01s/RaGuHpH6_-I/AAAAAAAAADY/KABjU_NLD6s/s320/X-Ray-Spex-Oh-Bondage-Up-You-87847.jpg" alt="" border="0" /></a><span style="font-style:italic;">To want to write: what an absurdity. Writing is the decay of the will, just as it is the loss of power, and the fall of the regular fall of the beat, the disaster again.</span>  <span style="font-style:italic;"></p>
<p>Not to write: negligence, carelessness do not suffice; the intensity of a desire beyond sovereignty, perhaps&#8211;a relation of submersion with the outside, passivity which permits one to keep in the disaster&#8217;s fellowship.</span> <span style="font-style:italic;"></p>
<p>He devotes all his energy to not writing, so that, writing, he should write out of failure, in failure&#8217;s intensity.</span></p>
<p>decoding forms/deforming codes was almost called <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36335469">bondage</a>.</p>
<p>finally, a return (one of <span style="font-style:italic;">the four winds of spirit&#8217;s absence, breath from nowhere</span>) &#8212; to <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36335469">bondage</a>. originally, thru craig, a <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36335469">bondage</a> of form: literary restraint, self-imposed rules-for-writing, systematic text generators, the increasingly popular oulipian <span style="font-style:italic;">spiritus</span>.</p>
<p>&amp;now: i&#8217;ve finally new words on <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36335469">bondage</a>, or the beginnings of some writing, as eventually they too must <span style="font-style:italic;">fall to the beat</span>.</p>
<p>the year is 1957. there are many triangles.</p>
<p><a href="http://bp3.blogger.com/_lOQBYMTV01s/RaGdspH6_6I/AAAAAAAAACo/m2CDTkjavfw/s1600-h/allofthemdependonone.gif"><img style="float:right;cursor:pointer;width:258px;height:376px;margin:0 0 10px 10px;" src="http://bp3.blogger.com/_lOQBYMTV01s/RaGdspH6_6I/AAAAAAAAACo/m2CDTkjavfw/s400/allofthemdependonone.gif" alt="" border="0" /></a>an <a href="http://www.fotthewuk.co.uk/newperspective/NewPerspective.html">isometric sephiroth</a> of relations:</p>
<p>triangle 1:  the image<br />a: claire<br />b: anne<br />c: jean</p>
<p>triangle 2: jealousy<br />a: A&#8230;<br />b:<br />c: Franck</p>
<p>triangle 3: marriage<br />a: jean de berg<br />b: catherine rstakian<br />c: alain robbe-grillet</p>
<p>constraint. L. <span style="font-style:italic;">constringere</span> <span style="font-style:italic;">‘bind tightly together.’<br /></span><span>binding, binding, writing on bondage, a bondage of writing</span><span style="font-style:italic;"></p>
<p></span><a href="http://bp2.blogger.com/_lOQBYMTV01s/RaGiEZH6_7I/AAAAAAAAACw/47rcX0fd2sU/s1600-h/CATHERINEROBBE-GRILLET.jpg"><img style="float:left;cursor:pointer;margin:0 10px 10px 0;" src="http://bp2.blogger.com/_lOQBYMTV01s/RaGiEZH6_7I/AAAAAAAAACw/47rcX0fd2sU/s400/CATHERINEROBBE-GRILLET.jpg" alt="" border="0" /></a>what consititutes a literary constraint? isn&#8217;t all writing al-al ways-ready? then, tighter, R-G&#8217;s new novel? sans physical presence of narrator near as possible (not very), duct-tape over mouth&#8211;never speaking&#8211;tho wide-eyed terrified, then, at base, relentlessly, there is the time-honored constraint of the novel&#8211;narrative, semantic, temporal, metaphorical, character&#8217;d&#8211;&amp;on&#8230;</p>
<p>but then, furrow, is this really that interesting? another anecdotal trap! another read thru those tired blinds. perhaps another? <span style="font-style:italic;">la maison</span> beckons, <span style="font-style:italic;">the golden triangle </span>is glaring blaring,  &amp; there&#8217;s <span style="font-style:italic;">djinn, </span>djinn, jean, jeanne, jean&#8230;</p>
<p>or OuLiProper? the tactics, pleasure, procedure&#8211;not entierly unlike the games of the chateau, the gothic chamber, the castle of communions : : language finally bearing its hand, displaying the roissy ring&#8211;always ready for submission to constraints, at the pleasure of the writing, the reading, the text, the&#8230;</p>
<p><span style="font-style:italic;">    There can be this point, at least, to writing: to wear out errors. Speaking propagates,</span><span style="font-style:italic;"> disseminates them by fostering belief in some truth.<br /></span><br /><a href="http://bp2.blogger.com/_lOQBYMTV01s/RaGmfZH6_8I/AAAAAAAAAC4/NNzly1_Sw68/s1600-h/Roissy_triskelion_iron_ring_signet.png"><img style="float:right;cursor:pointer;margin:0 0 10px 10px;" src="http://bp2.blogger.com/_lOQBYMTV01s/RaGmfZH6_8I/AAAAAAAAAC4/NNzly1_Sw68/s200/Roissy_triskelion_iron_ring_signet.png" alt="" border="0" /></a><span style="font-style:italic;">  To read: not to write; to write what one is forbidden to read.</span><br /><span style="font-style:italic;"> To write: to refuse to write&#8211;to write by way of this refusal. So it is that when he is asked for a few words, this alone suffices for a kind of exclusion to be decreed, as though he were</span><span style="font-style:italic;"> obliged to survive, to lend himself to life in order to continue dying.<br />To write&#8211;for lack of the wherewithal to do so.</span></p>
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		<title>Scuttling Scutigera</title>
		<link>http://jhenrychunko.wordpress.com/2007/01/03/scuttling-scutigera/</link>
		<comments>http://jhenrychunko.wordpress.com/2007/01/03/scuttling-scutigera/#comments</comments>
		<pubDate>Wed, 03 Jan 2007 22:19:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[alain robbe-grillet]]></category>
		<category><![CDATA[beehive]]></category>
		<category><![CDATA[jealousy]]></category>
		<category><![CDATA[piepsie]]></category>

		<guid isPermaLink="false">http://jhenrychunko.wordpress.com/2007/01/03/scuttling-scutigera/</guid>
		<description><![CDATA[well, well well. it IS a new year. amidst a swarm of p&#8217;s &#38; b&#8217;s, d&#8217;s &#38; q&#8217;s i&#8217;ve nearly managed to survive yet another visit home to the beehive state. now with more new bees than a hive in heat, i&#8217;ve some highlights : : the first week+1/2 spent scuttling with robbe-grillet&#8217;s jealousy (more [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=16&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp1.blogger.com/_lOQBYMTV01s/RZw8QzH4ONI/AAAAAAAAACM/VP6MM_lHA5k/s1600-h/le_robbe_grillet.jpg"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp1.blogger.com/_lOQBYMTV01s/RZw8QzH4ONI/AAAAAAAAACM/VP6MM_lHA5k/s400/le_robbe_grillet.jpg" border="0" /></a>well, well well. it IS a new year. amidst a swarm of p&#8217;s &amp; b&#8217;s, d&#8217;s &amp; q&#8217;s i&#8217;ve nearly managed to survive yet another visit home to the beehive state. </p>
<p>now with more new bees than a hive in heat, i&#8217;ve some highlights : : </p>
<p>the first week+1/2 spent scuttling with robbe-grillet&#8217;s jealousy (more on that in a bit) then, finally, i could fully enjoy the pressures&amp;fissures of an immediate family with 3 new appended members over the last few months (a brother-in-law, step-mother, step-father, slew of relations). naturally, all&#8217;re after new places&#8211;a rambling family of nomads, from condo to extended stay to dorm to basement &amp; back. <a href="http://bp0.blogger.com/_lOQBYMTV01s/RZw4EjH4OMI/AAAAAAAAACE/2NhtQphs2vU/s1600-h/beehive.JPG"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp0.blogger.com/_lOQBYMTV01s/RZw4EjH4OMI/AAAAAAAAACE/2NhtQphs2vU/s400/beehive.JPG" border="0" /></a>a good holiday, tho, the mountains in full snowy bloom&#8211;some riding there, old cafe haunts, new UofU friends, a wandering solo NYE, an out-of-control piepsie party, new socks, sweaters, years(07) &amp; years(22).</p>
<p>on&amp;on, anyhow, i&#8217;m posting here to share the [updated!--more readable than ever!] scuttling <a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_36311521">paper</a> on robbe-grillet that gobbled up my first couple weeks home (finished frantically, in a barnes, just before a tepanyaki holiday dinner&#8230;)&#8211;a couple have asked for it, so here&#8217;ya go. we all know how i love new novels. so here&#8217;s something. a palimpsestic performance?&#8211;certainly. lots to think on performing thoughts. hard, hard hard &amp; hardly&#8211;more on O, L&#8217;image, A&#8230; in time&#8211;time in time. </p>
<p>enjoy, tell me thoughts, or, want more!?</p>
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		<title>On the Passage of a few People through a Rather Brief Moment in Time</title>
		<link>http://jhenrychunko.wordpress.com/2006/12/08/on-the-passage-of-a-few-people-through-a-rather-brief-moment-in-time/</link>
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		<pubDate>Fri, 08 Dec 2006 19:00:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[branka bogdanov]]></category>
		<category><![CDATA[francois dufrene]]></category>
		<category><![CDATA[gil wolman?]]></category>
		<category><![CDATA[greil marcus]]></category>
		<category><![CDATA[guy debord]]></category>
		<category><![CDATA[keith sanborn]]></category>
		<category><![CDATA[rene vienet]]></category>
		<category><![CDATA[tom levin]]></category>

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		<description><![CDATA[now that situationism has ripened for the academic plucking (see: every other october) there&#8217;s more gatherings every year. last year, there was a big conference at the slought foundation in penn. before that&#8230; well, &#38; on, i guess it&#8217;s all really exploded. anyhow, lady fortuna was to have keith sanborn, innovative filmmakerprofessor, introduce me to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=15&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp0.blogger.com/_lOQBYMTV01s/RXnGm4cK1gI/AAAAAAAAABI/SP7oFWC49dI/s1600-h/debord.jpg"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp0.blogger.com/_lOQBYMTV01s/RXnGm4cK1gI/AAAAAAAAABI/SP7oFWC49dI/s400/debord.jpg" border="0" /></a>now that situationism has ripened for the academic plucking (see: every other october) there&#8217;s more gatherings every year. last year, there was a big conference at the slought foundation in penn. before that&#8230; well, &amp; on, i guess it&#8217;s all really exploded.</p>
<p>anyhow, lady fortuna was to have keith sanborn, innovative filmmakerprofessor, introduce me to the situs sophomore year, in the deliciously titled &#8220;film as cutural subversion: from montage to game hacks&#8221; (read: esther shub to peggy awesh&#8211;the posters featured brad neely&#8217;s white-eyed-possessed-by-anger harry potter). </p>
<p>all of wch is to say:<br />if yr in jersey<br /><a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_30617452">THIS MONDAY &amp; WEDNESDAY</a></p>
<p>thus: a revisit. dig out the books, grab the comics, <a href="http://www.notbored.org/">not bored</a> (<a href="http://www.boredatfirestone.com/">bored</a>) <a href="http://epc.buffalo.edu/authors/goldsmith/goldsmith_boring.html">BORING</a>, dust off the lipstick, &amp;naturally&#8211;comb thru ubu. </p>
<p>some new finds humbly submitted below.</p>
<p>xoxo<br />j.h c</p>
<p>: : </p>
<p>this is wonderful! a situ docu from 1989. all speakers from next week prominently featured here as their younger selves. the info&#8217;s so-so, but the round black spectacles are delicious.</p>
<p>the situationist international : : 1956-1972<br />dir. Branka Bogdanov (1989) 22 min</p>
<p>the AVI:<br /><a href="http://ubu.artmob.ca/video/Situationist-International_On-The-Passage-Of-A-Few%20Persons.avi">On the Passage of a few People through a Rather Brief Moment in Time: The Situationist International 1956-1972</a></p>
<p>: :</p>
<p>also, <br /><a>GUY DEBORD &amp; FRIENDS: SITUATIONISTEN</a> (rapidshare)</p>
<p>i just gave this another listen, &amp; realized i really like it. these are marvelous recordings. i&#8217;m only including this here (you can also find the mp3s <a href="http://www.ubu.com/sound/debord.html">HERE</a>) with hopes that someone can fill me in on the mystery of this disc (<a href="https://beta.blogger.com/comment.g?blogID=3784955117815133278&amp;postID=5099580031162005924">do comment!</a>). </p>
<p>details from ubu:</p>
<p>SITUATIONISTEN<br />DOUBLE-7&#8243;</p>
<p>BOOTLEG</p>
<p>NO LABELS, NO ARTWORK</p>
<p>PERSONELL: GUY DEBORD + ?</p>
<p>DATE: ???</p>
<p>SCRATCHINGS:</p>
<p>A) FSK 007 A.45<br />B) FSK 007 B.45<br />C) FSK 007 + VIDEOCONFERENCE C.45<br />D) FSK 007 D.33</p>
<p>however, a controversy blossoms at bottom page from an anonymous debord scholar whose voice i think i recognize:</p>
<p>As for the Situationisten double LP, I have to say, I&#8217;m pretty sceptical that Debord had anything to do with any of this. It sounds more like the Lettrists, or possibly the Danish/German breakaway faction of the Situationists, but more likely the lettrists because the accents seem to be French. I don&#8217;t recognize any voice which sounds like Debord&#8217;s voice, which is pretty distinctive. All of this is to say, it&#8217;s not impossible, because the world is full of wierd surprises, but my gut reaction is that this is either a bad gag or some repackaged Lettrists recordings and someone has called them &#8220;Situationist&#8221; for their own purposes, or because they lump the two together and don&#8217;t know any better. By the time the Situs had formed, I think Debord had totally abandoned working in this mode and I have never seen any evidence that he worked in this mode even when he was part of the Lettrists or the Lettrist International. It&#8217;s more characteristic of the early work of Gil Wolman and others. <br /><a href="http://bp2.blogger.com/_lOQBYMTV01s/RXnG3YcK1hI/AAAAAAAAABQ/mtGRkgKMhpg/s1600-h/wolman.gif"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp2.blogger.com/_lOQBYMTV01s/RXnG3YcK1hI/AAAAAAAAABQ/mtGRkgKMhpg/s400/wolman.gif" border="0" /></a>so, anyone got the secret? gil wolman, maybe francios dufrene?<br />beats me&#8211;the album is still ecstatically wonderful.</p>
<p>: :</p>
<p>oh, my, you&#8217;ve made it this far&#8211;if yr interested, be sure to check out <a href="http://www.ubu.com/film/vienet.html">rene vienet</a> (perhaps my favorite situ filmmaker, certainly the most &#8220;enjoyable&#8221;: : break bricks! kamare!), <a href="http://www.ubu.com/sound/dufrene.html">francois dufrene</a> (really kick-ass vocal crier), &amp; of course, a huge chunk of <a href="http://www.ubu.com/film/debord.html">debord&#8217;s films</a>.</p>
<p>hope to see you monday/wednesday. <br />if you can make it, <a href="https://beta.blogger.com/comment.g?blogID=3784955117815133278&amp;postID=5099580031162005924">COMMENT</a>!<br />&#8211;we&#8217;ll coffee.</p>
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		<slash:comments>11</slash:comments>
	
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		<title>SILENT SHADOWS OF CINEMAROC</title>
		<link>http://jhenrychunko.wordpress.com/2006/12/02/silent-shadows-of-cinemaroc/</link>
		<comments>http://jhenrychunko.wordpress.com/2006/12/02/silent-shadows-of-cinemaroc/#comments</comments>
		<pubDate>Sat, 02 Dec 2006 12:53:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[buzzards over bagdad]]></category>
		<category><![CDATA[flaming creatures]]></category>
		<category><![CDATA[jack smith]]></category>
		<category><![CDATA[normal love]]></category>
		<category><![CDATA[silent shadows of cinemaroc]]></category>

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		<description><![CDATA[i was introduced to jack smith only this past summer. right, write, rite of passage. my intro came by way of beloved zac, who burnt me a copy of the very album i&#8217;m sharing here. down below, there is youboutoube&#8217;s flash rendition of NORMAL LOVE. wch is both a delight &#38; a shame. i hear [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=14&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp0.blogger.com/_lOQBYMTV01s/RXF8wuQHwgI/AAAAAAAAAAU/J-z0VISgM68/s1600-h/jack_smith.jpg"><img style="float:left;cursor:pointer;margin:0 10px 10px 0;" src="http://bp0.blogger.com/_lOQBYMTV01s/RXF8wuQHwgI/AAAAAAAAAAU/J-z0VISgM68/s400/jack_smith.jpg" alt="" border="0" /></a>i was introduced to jack smith only this past summer. right, write, rite of passage. my intro came by way of beloved zac, who burnt me a copy of the very album i&#8217;m sharing here. down below, there is youboutoube&#8217;s flash rendition of NORMAL LOVE. wch is both a delight &amp; a shame. i hear every year or so the smith films revolve through anthology&#8217;s righteous reels. luck would have me having seen the celluloid, wch is unparalleled. </p>
<p>strange, i&#8217;ve not written much in the last few days. i suppose the impulse to write comes &amp; goes. maybe i&#8217;m posting here out of courtesy, duty, friendliness, &amp; not for a burning, a flaming, to put words down on the splendor this splendor. but what more can one do but share this beauty (<a href="http://www.box.net/index.php?rm=box_v2_download_shared_file&amp;file_id=f_29367672">what a b what a b what a beauty</a>) with the unseen, pasty virginal minds of the interested.</p>
<p>but. splendor it is. maybe too much for writing on. what does one say, after all, about normal love?</p>
<p>for now: some stuff. as promised. </p>
<p>normal love,<br />j.h c</p>
<p>: :<br /><a href="http://rapidshare.com/files/5731771/Silent_Shadows_On_Cinemaroc_Island_-_56_Ludlow_Street_1962-1964_Volume_II.zip.html"><br />SILENT SHADOWS AT CINEMAROC</a><br />56 Ludlow Street 1962-1964 Volume II </p>
<p><a href="http://bp3.blogger.com/_lOQBYMTV01s/RXF-peQHwhI/AAAAAAAAAAc/WhDmroXLbA4/s1600-h/cinemaroc.jpg"><img style="float:right;cursor:pointer;margin:0 10px 10px 0;" src="http://bp3.blogger.com/_lOQBYMTV01s/RXF-peQHwhI/AAAAAAAAAAc/WhDmroXLbA4/s400/cinemaroc.jpg" alt="" border="0" /></a>   &#8230;when i look at myself in the mirror i scrrrRRReam with joy, <br />i am so bea-U-tiful&#8230;</p>
<p>get it <a href="http://rapidshare.com/files/5731771/Silent_Shadows_On_Cinemaroc_Island_-_56_Ludlow_Street_1962-1964_Volume_II.zip.html">HERE</a> from rapidshare</p>
<p>as far as i know, this album has not been posted online. of course, you can get it at amazon for something like $20.</p>
<p>: :</p>
<p>NORMAL LOVE (1963)</p>
<p>also see <a href="http://www.ubu.com/film/smith_jack.html">FLAMING CREATURES</a> and <a href="http://www.ubu.com/film/smith_jack.html">SCOTCH TAPE</a> at <a href="http://www.ubu.com">UBUWEB</a></p>
<p>: :</p>
<p style="font-family:georgia;"><span style="font-size:100%;"><b><a href="http://www.blastitude.com/13/ETERNITY/jack_smith_2.htm">NORMAL                  LOVE</a><br />            </b></span><span style="font-size:100%;">by                  Jack Smith</span></p>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;">Early that morning I could see that the day would be an ordeal. The Cretins                  were most excitable and openly masturbated, overstimulating the                  pinheads. Today they would put on their shepard and shepardess                  costumes and run across the fields with their sand pails to milk                  the cows. I rode shotgun on them in my floor length black leather                  jacket and needle-heeled opera hip boots made of wildebeest leather                  with the tufted tops.</span></p>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;">I lingered over my toilette, admiring my enormous three foot long 9 inch thick                  cock; I posed before my glass, throwing my cock first over this                  shoulder, then the other. Finally, overstimulated, I fucked my                  tufted tops on my boots. However, I was unsatified so I lunged                  at my mirror my noble horsecock all tumescent. I smashed through                  the mirror and whirled about and stuffed my cock into the jagged                  hole and fucked and fucked. My cock got all bloody and torn up.                  Then, to get maximum sensation out of it I stomped my cock in                  my boots, flinging handfuls of meat tenderizing salts upon it.</span></p>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;">Herding the freaks across the fields, a fly alighted upon my cheek and I became                  concupiscent again. I prodded a pretty young marshmallow cretin                  girl with my crop and made her sprawl on the ground. Her hoop                  skirt flung up exposing her dimpled pasties. In a second I was                  upon her nudging her between the buns with my lobolier. She squealed                  and rolled upon her back thrusting her pouting quim into my face.                  I whipped out my flaming organ. Her hoopskirt was up over her                  face and she couldn&#8217;t see. I ran back a few paces, aimed my cock‑0                  and charged her but my horse galloped in before me and impaled                  her on his raging rod. Slightly disappointed I charged my horse&#8217;s                  asshole and jumping up I transfixed him in mid‑air as he                  was transfixing the cretin girl. My cock sank deliciously into                  his bowels, reaming them out straight and he reared and bolted                  causing me to spend even more deliciously. The little cretin shepardess                  was now ruined for normal love and she ran amok among the other                  freaks, inflaming them. Soon the whole hillside was one gigantic,                  seething, cretin, mongolian and pinhead orgy. Delighted, I ran                  to where my horse lay and snatched my elephant gun off the pack.                  I opened up on the churning carnival of freaky sex, firing point‑blank                  into its midst. Presently, I sank delirious to the ground, gasping                  and creaming and blazing away at the freaks.</span></p>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;">God&#8217;s plump buns rested serenely on the ziricorn &amp; rhinestone throne &amp;                  he frowned at us through his long gold beard. We were in heaven.                  He ordered us all to line up, turn around, drop our pants, and                  bend over. We meekly obeyed. God then walked up and down paddling                  us with a ping-pong paddle. He concentrated chiefly upon the plump                  pasties, I noticed. He began to emit giggles and rushed from pasty                  to pasty paddling shit out of them. The freaks became overstimulated                  and soon we were in the middle of a gang fuck which spread over                  all the heavens. Saints and cupids dicked each other with their                  wands, angels threw their legs open and the skies dripped come.</span></p>
<p style="font-family:georgia;"><span style="font-size:100%;">The End</span></p>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;">(from                  <i>The Floating Bear</i> #28, 1963 &#8212; then from blastitude&#8217;s <a href="http://www.blastitude.com/13/ETERNITY/jack_smith_2.htm">I Was Jack Smith&#8217;s Love Zombie</a>)</span></p>
<p><span style="font-size:100%;"> </span>
<p style="text-align:justify;font-family:georgia;"><span style="font-size:100%;"><br />: :</p>
<p>also, why not skim the jacket&#8217;ed pasty novelty: an underground movie flipbook of <a href="http://www.ubu.com/aspen/aspen3/flipbook.html#">Buzzards Over Bagdad</a><br /></span></p>
<p>: :</p>
<p><a href="http://bp1.blogger.com/_lOQBYMTV01s/RXGA1-QHwiI/AAAAAAAAAAk/yurDBMewKEc/s1600-h/maria+montez.jpg"><img style="display:block;text-align:center;cursor:hand;margin:0 auto 10px;" src="http://bp1.blogger.com/_lOQBYMTV01s/RXGA1-QHwiI/AAAAAAAAAAk/yurDBMewKEc/s400/maria+montez.jpg" border="0" /></a></p>
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		<title>INTO THE STRATOS</title>
		<link>http://jhenrychunko.wordpress.com/2006/11/26/into-the-stratos/</link>
		<comments>http://jhenrychunko.wordpress.com/2006/11/26/into-the-stratos/#comments</comments>
		<pubDate>Sun, 26 Nov 2006 10:31:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[area]]></category>
		<category><![CDATA[cantare la voce]]></category>
		<category><![CDATA[demetrio stratos]]></category>
		<category><![CDATA[mesostics]]></category>

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		<description><![CDATA[this, &#8220;cantare la voce&#8221; by demetrio stratos, you&#8217;ll swear yr stereo just developed a mouth &#38; vocal tract of its own, not entirely unlike the second mouth piping these sounds directly from demetrio&#8217;s throat. from neck slappin &#8216;ung ung ungs&#8217; to grunts, hoots, hollers &#8212; demetrio does crazy things with voice, things you&#8217;ve never heard [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=12&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://photos1.blogger.com/x/blogger2/5214/462030654030167/1600/712291/demetrio_stratos.jpg"><img style="float:left;cursor:pointer;margin:0 10px 10px 0;" src="http://photos1.blogger.com/x/blogger2/5214/462030654030167/400/194287/demetrio_stratos.jpg" alt="" border="0" /></a><br />this, &#8220;cantare la voce&#8221; by demetrio stratos, you&#8217;ll swear yr stereo just developed a mouth &amp; vocal tract of its own, not entirely unlike the second mouth piping these sounds directly from demetrio&#8217;s throat. from neck slappin &#8216;ung ung ungs&#8217; to grunts, hoots, hollers &#8212; demetrio does crazy things with voice, things you&#8217;ve never heard before (Daniel Charles has described him as the person who decimated monody by the demultiplication of the acoustic spectrum: he achieved a diplophony which is triplophonic, even quadrophonic. His vocalisation became microorchestrations (voiceinstrument) without any technological amplification).</p>
<p>apart from his work with the italian politico-pop prog-rock mega-group <a href="http://www.italianprog.com/a_area.htm">AREA</a>, demetrio became invovlved with the fluxus kids &amp; avant-community of new york in the 70s. in 1974, he performed john cage&#8217;s &#8220;mesostics&#8221; multiple times, &amp; later, he sung in the (unbelievable collective) <span style="font-style:italic;">&#8220;Event&#8221; with Merce Cunningham and the Dance Company performed under the artistic direction of Jasper Johns, Cage&#8217;s musical contribution, with Andy Warhol&#8217;s costume designs.</span></p>
<p>anyhow, joan la barbara brought this delightful album into class a few weeks ago &amp; i&#8217;ve been hap&#8217;ly listening since.<br /><a href="http://larrylooney.blogspot.com/2006/10/revisiting-old-favorite-area.html">HERE</a> some other voices:</p>
<p><a href="http://www.italianprog.com/a_stratos.htm">BIO</a>:<br />One of the most creative artists in the whole italian rock scene of the 70&#8242;s, Demetrio Stratos (real name Demetrious Efstratios) was in fact born in Alexandria, Egypt in 1945 from a greek family, and came to Italy in 1962.<br />Tragically, untimely, he died in New York on 13th June, 1979 of medullary aplasia.</p>
<p>a live recording of the following AREA performance at<br /><a href="http://musicforyoureyes.blogspot.com/2006_10_01_musicforyoureyes_archive.html">MUSIC FOR YOUR EYES</a></p>
<p>The group Area, that performed at the end of the festival, did a very peculiar experiment with the audience. They unrolled two naked electrical wires from Patrizio Fariselli&#8217;s synthesizer to the people. As the instrument played a random sequence of sounds they invited the people to touch the wires and touch one another, to increase the resistance and make the tonality of the sounds higher. This weird instrumental track was called Il Caos, and it was the introduction to another version of L&#8217;Internazionale, the socialist international workers&#8217; hymn.</p>
<p>seriously!<br /><a href="http://photos1.blogger.com/x/blogger2/5214/462030654030167/1600/462263/area%20stratos.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://photos1.blogger.com/x/blogger2/5214/462030654030167/400/67746/area%20stratos.jpg" alt="" border="0" /></a><br />ENJOY!&#8211;<br />the full album posted here:<br /><a href="http://www.sendspace.com/file/4iwfrh">CANTARE LA VOCE</a> (sendspace)<br />or<br /><a href="http://rapidshare.com/files/4882533/Demetrio_Stratos.zip.html">CANTARE LA VOCE </a>(rapidshare)</p>
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		<title>compare&#8211;[Hiccup.] pardon&#8211; happy memories.</title>
		<link>http://jhenrychunko.wordpress.com/2006/11/25/compare-hiccup-pardon-happy-memories/</link>
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		<pubDate>Sat, 25 Nov 2006 13:17:00 +0000</pubDate>
		<dc:creator>jhenrychunko</dc:creator>
				<category><![CDATA[alan rickman]]></category>
		<category><![CDATA[beckett]]></category>
		<category><![CDATA[kelsey halliday johnson]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[severus snape]]></category>
		<category><![CDATA[snake]]></category>
		<category><![CDATA[wizard people dear reader]]></category>

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		<description><![CDATA[kelsey halliday johnson just sent over the links to this bipartite masterpiece: beckett&#8217;s play &#8220;play&#8221; play &#8220;play&#8221; play. (god that is an attractive man) written between 1962 and 1963. this is a youtube&#8217;d version of the film directed by Anthony Minghella for Beckett on Film project: part 1:http://www.youtube.com/watch?v=NdTjRumkT9kand part 2:http://www.youtube.com/watch?v=1EkI1KS3uRAwhat? can&#8217;t keep up, see text [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jhenrychunko.wordpress.com&amp;blog=756965&amp;post=13&amp;subd=jhenrychunko&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>kelsey halliday johnson just sent over the links to this bipartite masterpiece: beckett&#8217;s play &#8220;play&#8221; play &#8220;play&#8221; play.<br /><a href="http://photos1.blogger.com/x/blogger2/5214/462030654030167/1600/480638/samuelbeckett.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://photos1.blogger.com/x/blogger2/5214/462030654030167/400/659599/samuelbeckett.jpg" alt="" border="0" /></a>
<div style="text-align:center;">(god that is an attractive man)</div>
<p>written between 1962 and 1963. this is a youtube&#8217;d version of the film directed by Anthony Minghella for Beckett on Film project:</p>
<p>part 1:<br /><a href="http://www.youtube.com/watch?v=NdTjRumkT9k">http://www.youtube.com/watch?v=NdTjRumkT9k</a><br />and part 2:<br /><a href="http://www.youtube.com/watch?v=1EkI1KS3uRA">http://www.youtube.com/watch?v=1EkI1KS3uRA<br /></a><br />what? can&#8217;t keep up, see text <a href="http://www.drama21c.net/text/play.htm">HERE</a>.</p>
<div style="text-align:left;"><a href="http://photos1.blogger.com/x/blogger2/5214/462030654030167/1600/8581/rickman-play2.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://photos1.blogger.com/x/blogger2/5214/462030654030167/400/254342/rickman-play2.jpg" alt="" border="0" /></a></div>
<p>funny, i&#8217;d read this before, but nothing can compare to the seeing + this is a strange version. featuring an all-star cast of Juliet Stevenson, Kristin Scott Thomas &amp; (the charmingly hiccuping potted version SEVERUS SNAPE&#8211;or, better, recall neely&#8217;s &#8220;that hideous woman, snake&#8221; &#8212; wch, for those that might want or haven&#8217;t seen &#8212; get/watch <a href="http://www.illegal-art.org/video/wizard.html">WIZARD PEOPLE, DEAR READER</a> now) Alan Rickman.</p>
<p><a href="http://photos1.blogger.com/x/blogger2/5214/462030654030167/1600/626186/alan_rickman_04.jpg"><img style="display:block;text-align:center;cursor:pointer;margin:0 auto 10px;" src="http://photos1.blogger.com/x/blogger2/5214/462030654030167/400/959837/alan_rickman_04.jpg" alt="" border="0" /></a></p>
<div style="text-align:left;">Meet,<br />and sit,<br />now in the one dear place,<br />now in the other,<br />and sorrow together,<br />and</div>
<p>
<div style="text-align:center;">&#8230;</div>
<p>xoxo<br />j.h c</p>
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